1,478 Royalty-Free Audio Tracks for "Midi Music"

*Thirty-first harmonic on C = B. Just: 31:16 = 1145.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 31-limit. MIDI pitch bend: 53,78

*Hundred-fifteenth harmonic on C = A♯+. Just: 115:64 = 1014.59 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 23-limit. MIDI pitch bend: 86,68

*15 steps in 16-et on C = B (Easley Blackwood's notation). Equal-tempered: 215/16:1 = 1125 cents. MIDI pitch bend: 0,72

*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76

*Subminor sixth on C = G/A. Equal-tempered: 215/24=5/8:1 = 750 cents. MIDI pitch bend: 0,80 Preceded by:File:Thirteen quarter tones on C.mid

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

The fourth piece surviving from the fragments of the Nannerl Notenbuch

OGG rendition of the MIDI file of Mozart's K. 520 (315 kB)

*Just diminished third on C = E♭♭- (Ben Johnston's notation). 256:225 = 223.46 cents. Limit: 5-limit. MIDI pitch bend: 65,71

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Diesis on C = D-. 128:125 = 41.06 cents. Limit: 5-limit. MIDI pitch bend: 18,77 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 18,77 for 41.064453 cents rather than 0.

*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6

*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

Excerpt from "Clair de Lune" of Claude Debussy's Suite bergamasque (1905) for solo piano.

*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57

*Forty-ninth harmonic on C = A♭+. Just: 49:32 = 737.65 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 7-limit. MIDI pitch bend: 6,76

*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

*Hundred-nineteenth harmonic on C = B. Just: 119/64 = 1073.78 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 17-limit. MIDI pitch bend: 78,87

*Tridecimal minor third on C = E↓♭. Just: 13:11 = 289.21 cents. Limit: 13-limit.

*Tridecimal major third on C. Just: 13:10 = 454.21 cents. Limit: 13-limit.

E♭ natural minor scale ascending and descending.

7 steps in just A12 on middle C: 21/11 = C↓+ = 1119.46 cents.

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Symphony No. 9, Movement 2, Op. 125

Symphony No. 9, movement 1, Op. 125

Invention No. 7, BWV 778, by Johann Sebastian Bach

A few bars (30,32, etc.) from Schuberts song "Der Lindenbaum"

See the conqu’ring hero comes (from Joshua and Judas Maccabaeus) Tochter Zion, freue dich (Evang. Gesangbuch 13; Gotteslob (2013) 228)

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

E-flat harmonic minor scale ascending and descending.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

Invention No. 15, BWV 786, by Johann Sebastian Bach

Invention No. 6, BWV 777, by Johann Sebastian Bach

Ausschnitt aus Joseph Haydns Klaviersonate Hob. XVI/Nr. 8

Invention No. 10, BWV 781, by Johann Sebastian Bach

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

Vivace aus Beethovens op. 79 und Reduktion nach Alfred Rosenberg

First part of Flute-Sonata Nr. 1 in D-Major